Naoko Kimura
THE JAPAN NEWS-YOMIURI – Whether in an underground arena, on a street filled with onlookers, or during a classroom lesson, Baki fights without rules or taboos.
The Baki the Grappler manga series, which features an array of mixed martial arts fighters from around the world, celebrated the 30th anniversary of its publication recently.
From its beginnings in 1991, the series has continued to excite readers with just a simple theme: Who is the ultimate fighter?
Let’s take an in-depth look at the world represented by Baki through interviews with the manga’s author Keisuke Itagaki.
“I waver quite a bit along the way in making any decision, but it’s turned out these decisions were not wrong. That’s something I’d like to give myself credit for,” Itagaki said, looking back on the past 30 years.
Serialisation of Grappler Baki started in the Shukan Shonen Champion magazine and has been followed by sequels, including Baki and Baki Hanma.
The fifth and the latest series, Bakidou, features sumo wrestlers.
About 85 million books have been printed across the entire Baki series.
The overarching story follows Baki, a young, undefeated underground fighter, as he comes to blows with various types of mixed martial arts fighters while striving to surpass his father, who’s known as “the mightiest being on Earth”.
Itagaki said that the decision to bring Baki’s father into the story came at the suggestion of an editor.
“My first editor for this project proposed the idea of Baki ‘awaiting someone’ while he defended his champion title. That someone could be a rival, a brother or a father.
“There were several options to choose from, but I found the father to be the easiest to depict,” he said.
Baki’s father, Yujiro, symbolises power. His physical strength is so powerful that it could defeat the military of a major nation. The character is a reflection of Itagaki’s own fantasy of a father figure.
“It’s really nice to be able to look up to one’s father. My father was a completely different type of person, and I used to adore (the idea of) a father whom I would never be able to beat no matter what,” Itagaki said.
Born in Hokkaido in 1957, Itagaki worked in a hotel after a stint as a Ground Self-Defence Force member before finally entering the world of manga through a mangaka training course organised by story writer Kazuo Koike. His debut work Make-Upper was published in 1989.
The creation of all the colourful characters in the Baki series, including the mighty father-son duo, stems from the characterisation theory Itagaki learned in Koike’s course.
“Master Koike would often say, ‘You can easily make characters stand out by utilising gossip’.
When you see someone extraordinary, you can’t help saying, ‘You won’t believe the amazing person I saw today’. Those sorts of characters with outrageously great qualities make those around them feel the urge to tell others. That’s how a character should be in my opinion,” Itagaki said.
He now feels as if the characters have overtaken his intentions for them and have begun moving of their own accord.
“All I have to do is to listen to the characters. I think the reason I’ve been able to continue for 30 years is that the characters stand out,” Itagaki said.
When speaking of the Baki series, one can’t fail to mention the ferocious fight scenes featuring brawlers boasting toned bodies and V-shaped torsos.
The realism expressed in those scenes has won over so many fans because they are based on Itagaki’s own experiences in fighting sports.
During his high school days, he took up Shorinji Kempo, a martial art, and later participated in the National Sports Festival as a boxer.
“A good thing about fight scenes is that you can enjoy the pain without experiencing it yourself. The more painful they look, the better they get,” he said.
The portrayals of men’s bodies pushed to the limit not only evoke the sensation of pain but also arouses ecstatic sensations.
“When you see a body that is bent to the extreme or twisted to its limit, you also want to see the moment the muscles are released from all that tension.
“Giving in to that impulse is important. This is something I learned from manga created by Hiroshi Motomiya,” Itagaki said.
Another underlying theme in the series is the questioning of the definition of strength.
The conclusion that Itagaki has come to is that it is “the willpower needed to selfishly maintain one’s own way”, an idea that penetrates the entire series.
“Strength is the ability to stay true to one’s will and ego (by any means). On its own, that is neither a good or a bad thing. It’s a belief I’ve carried with me for more than 15 years,” Itagaki said.
Peppered among the manga’s fierce fights are contrastingly comical scenes, which is yet another of this popular series’ many charms. There are those who even insist the series is a comedy.
When asked his take on the matter, Itagaki responded, “When you describe something outrageous, you sometimes describe it as ‘almost laughable’.
“There are views that Baki is a comedy disguised as a fighter manga, which means that I’ve been able to depict greatness that elicits laughter. Being able to reach such a point makes me so happy.”
Having worked as a mangaka for more than three decades, he is now considered a veteran in the industry. While new talents are cropping up one after another, he keeps producing work that stands at the forefront of the manga scene.
“My strength lies in the experience I’ve gained over time without ever losing my passion,” he said, explaining his drive to go on.
With the latest story development becoming all the more compelling, including the father-son relationship between Baki and Yujiro, the series is more gripping than ever.
“Living up to the readers’ expectations while also going against (their predictions) is difficult. At the same time, I guess that’s also what makes it interesting.
“I don’t think I can change the way I do things at this point. I’d like to go on writing against what (readers) might expect,” he said.
