Saturday, October 5, 2024
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‘Living legend’

STOCKHOLM (AFP) – Even though he’s still an active player, a new film premiering on Friday is attempting to tell the story of Swedish footballer Zlatan Ibrahimovic by focussing on the star’s childhood growing up in a poor part of the city of Malmo.

Ibrahimovic, Sweden’s most successful player, still plays for AC Milan at age 40, and is known for his bravado and swagger, standing in contrast to his typically more humble compatriots.

After starting out with Sweden’s Malmo FF in 1999, he has gone on to play for major teams including Ajax, Juventus, Paris Saint-Germain and Manchester United.

Pitched as a “true underdog story,” the movie Jag ar Zlatan (I am Zlatan), which premiered on Friday, is based on the autobiographical book of the same name, but director Jens Sjogren told AFP that he wanted to hone in on the player’s early years.

“When I read the first chapters of the book I thought of my own childhood,” Sjogren said, adding that by focussing on the young Zlatan the movie is likely to appeal to not just those who have followed “Ibra’s” football career.

“Even though Zlatan had a rough childhood at times we have all been children and struggled with different things,” the 45-year-old director said.

For Sjogren it was important for the film to also tell the story from a child’s perspective.

ABOVE & BELOW: AC Milan’s Swedish forward Zlatan Ibrahimovic reacts during the Italian Serie A football match between SSC Napoli and Milan AC at the Diego Armando Maradona stadium in Naples; and Swedish director Jens Sjogren, Swedish producer Mattias Nohrborg, Swedish author David Lagercrantz, Swedish producer Frida Bargo, Swedish screenwriter Jakob Beckman and Swedish producer Fredrik Heinig pose as they arrive for the gala premiere of the film ‘I Am Zlatan’, a biopic on the life of Swedish footballer Zlatan Ibrahimovic, in Stockholm. PHOTOS: AFP

“What he’s experiencing, we get to experience, but when there’s things he doesn’t hear or doesn’t understand then we as spectators shouldn’t understand that either,” he said.

The film starts following Zlatan from about aged 12, when he struggled in school. It also shows him moving away from his mother and in with his father before moving on to his first years as a professional player at Malmo and Ajax.

The perhaps somewhat daunting task of portraying a still living icon on screen was given to first-time actors Dominic Bajraktari Andersson, 15, and Granit Rushiti, 22, who are both playing Zlatan at different ages.

“He’s a great footballer, one of the best in the world. He’s a legend, so it’s of course a big honour for us to play him,” Rushiti told AFP.

As a former promising young footballer himself, though he had to retire after an injury, Rushiti said Zlatan had already been an inspiration to him. “I’ve played football all my life so he’s been a big part of my life and my own football career. So I’ve taken a lot from him,” Rushiti said.

Both Rushiti and his younger co-star are, just like Zlatan himself, from Scania in Sweden’s far south.

“I haven’t always played football, but he’s been a role model in other ways. Like his demeanour and what he’s like as a person. We are roughly from the same area, the same city Malmo. So he’s been a great role model,” Andersson told AFP.

When the shooting of the movie was finished the two young actors also had the opportunity to meet Zlatan in Milan.

“Before we started recording the movie I thought that Zlatan was pretty tough, he almost looked scary. But when I met him he was very kind, he was very charming and joked around.

“He got me to relax and all the nervousness just disappeared,” Andersson said.

“It was like meeting a living legend that you’ve looked up to.”

The premiere of the film to cinemas is reserved for Zlatan’s home country of Sweden.

More countries will follow though in the coming weeks.

While Zlatan’s status as the greatest football player Sweden has ever produced is undisputed in his home country, his star in his hometown of Malmo has faded somewhat. Just months after a statue of the local hero was erected in Malmo, it became the target of multiple acts of vandalism after Ibrahimovic announced that he was buying a stake in Stockholm-based club Hammarby, Malmo’s rivals.

Seen as a betrayal by fans, the statue has been spray-painted, knocked over and parts of it have been sawn off.

Germany conducts raids over hate posts against politicians

BERLIN (AP) – German authorities carried out raids across the country and questioned more than 100 suspects yesterday in an investigation of hate posts against politicians connected to last year’s national election, prosecutors said.

The Frankfurt prosecutor’s office and the Federal Criminal Police Office said that the raids resulted from an analysis of over 600 posts on social media for criminal content.

The investigation was based on legislation that was introduced last year to provide for tough punishment of slander and abuse of people “in political life”, whether at local, regional or federal level.

It provides for a punishment of up to three years in prison for abuse motivated by the person’s position in public life that is liable to “significantly complicate their public work”.

Prosecutors didn’t name the targets of the posts that resulted in the raids, but said that the investigation covered posts against politicians from all the parties currently in Germany’s national Parliament and two-thirds of them are women. It said they included abuse against nationally known politicians as well as fake quotes that appeared designed to discredit their targets.

The Parliament was elected in late September.

Yesterday’s move “makes clear the scale on which office-holders are being insulted, slandered and threatened online”, the top prosecutor in Germany’s central Hesse state, Torsten Kunze, said in a statement.

Rain or shine

LVIV, UKRAINE (AFP) – There is war raging in Ukraine but the postmasters in the western city of Lviv promise to keep making deliveries.

Parcels may be rattled on roads pockmarked by shell blasts, delayed at sandbag checkpoints, and held static during overnight curfews pierced by wailing air raid sirens.

But Volodymyr Shved and Anatoliy Goretsky – who manage the Nova Poshta courier company in Lviv – insist parcels will arrive at their destination.

“The only places we aren’t working is where the bombs are falling, at the moment they’re falling,” said 39-year-old Shved.

“When the alarms go off we stop, but when they are silent we go back to work.”

Since Russia invaded Ukraine a few weeks ago the pro-Western country has moved onto a war footing.

Thousands of soldiers have been mobilised and cities have been fortified on the orders of President Volodymyr Zelensky, who addresses the nation in military fatigues.

An employee operates a freight-pushing buggy to pile humanitarian aid at a warehouse of the Nova Poshta courier company on the northern outskirts of the western Ukrainian city of Lviv. PHOTOS: AFP
Volunteer Andriy Kovalyov, 38, sorts donated medications at a Nova Poshta warehouse

The “home front” of Ukraine has also been transformed, as civilian life pivots to buttress the war effort and usher aid to refugees fleeing conflict zones.

Lviv, which is located 70 kilometres from the border with Poland, was initially largely spared military strikes from Russian forces.

But the cavernous Nova Poshta warehouse on the northern outskirts has nevertheless been transformed by the demands of war.

The workforce has slimmed by more than half. Just 22 work here with most of the rest called up for combat. The hub once sorted one million parcels a day, mainly for online shoppers.

Now the 100,000 daily parcels are mostly food, medicine and clothing – care packages criss-crossing conflict-riven Ukraine.

A cursory glance at rusted red cargo trolleys reveals pasta noodles and military boots nestled among anonymous cardboard packages.

Ninety mechanised lines hurl them along a conveyor belt through a yawning red scanner, sorting them for onward travel.

Shved said the only day this process paused was February 24 – when Russia invaded – as a grip of panic passed across Ukraine.

“Over the next few days we realised the company is one of the few that can keep people united,” he said. “That’s why we decided to regroup.”

Now the postal trucks are guided by a backroom team mapping “safe routes to pass aside warfare”, he explained.

They account for infrastructure hobbled by Russian airstrikes and Ukrainian checkpoints manned by twitchy recruits.

Nova Poshta once made deliveries anywhere in Ukraine within 24 hours. Now it takes between four and six days.

Nevertheless “we do our best to deliver every package to its final destination”, pledged Shved.

On a wall in the front office a caricature of Russian President Vladimir Putin is daubed on a whiteboard.

Though far from most battles, combat is clearly on employees’ minds.

“Many of our workers are on the frontline and many are still working here,” said 42-year-old Goretsky, wearing a red down jacket.

“It’s also a frontline.”

Shved and Goretsky say parcels are still arriving from the frontline cities of Kyiv and Kharkiv.

But despite their upbeat mood, parts of the nation are now cut off.

The last shipment from Mariupol arrived one week ago. The strategic port city has been hammered by Russian artillery with reports of horrific casualties.

And nationwide, just 25 per cent of the Nova Poshta offices are still open for business.

But a second shed behind the private post facility is where the main focus of their work now lies.

Around 90 per cent of freight passing through the facility is now humanitarian aid – gathered and sorted at the Lviv way station for incoming refugees or eastbound distribution.

There are towering pallets of noodles from the Lithuanian Red Cross, blood-clotting trauma bandages from the French Protection Civile and cans of drinking water stamped with a heart symbol.

Men perched on freight-pushing buggies scoot across the sheened floor, shunting aid crates into piles.

Standing among boxed donations, Andriy Kovalyov, 38, is itemising assorted medication.

After fleeing his home in Kyiv, Kovalyov now volunteers for the Health Ministry using his pharmaceutical expertise.

“I had the choice between going to the army, which I’m not trained to do… or this,” he said, gesturing at his makeshift workplace.

“I hope this helps.”

US says Myanmar committed genocide against Rohingya

WASHINGTON (AFP) – The United States (US) officially declared on Monday that violence against the Rohingya committed by Myanmar’s military amounted to genocide, saying there was clear evidence of an attempt to “destroy” the minority group.

Citing the killings of thousands and forcing close to a million to flee the country in 2016 and 2017, US Secretary of State Antony Blinken said he had “determined that members of the Burmese military committed genocide and crimes against humanity against Rohingya”.

“The military’s intent went beyond ethnic cleansing to the actual destruction of Rohingya,” Blinken said at the US Holocaust Memorial Museum.

“The attack against Rohingya was widespread and systematic, which is crucial for reaching a determination of crimes against humanity.”

The US move did not come with new direct repercussions against the already heavily sanctioned Myanmar regime and dozens of members of its leadership.

But Blinken said it will support international efforts, including in the International Court of Justice, to bring cases of crimes against humanity against the regime.

Blinken noted 2017 remarks by Myanmar military commander-in-chief Min Aung Hlaing, that the government was “solving” an “unfinished job” in its destruction of Rohingya communities.

Blinken added that Min Aung Hlaing led the 2021 coup overthrowing the elected government of Myanmar.

“The brutal violence unleashed by the military since February 2021 has made clear that no one in Burma will be safe from atrocities so long as it is in power,” Blinken said, using the former official name of the country. “Anyone in Burma seen as challenging the military’s grip on power – regardless of ethnicity or religion, age or political party – will be targetted,” he said.

Around 850,000 Rohingya are languishing in camps in neighbouring Bangladesh, recounting mass killings and rape of the campaign that was launched against them five years ago.

Another 600,000 members of the community remain in Myanmar’s Rakhine state where they report widespread oppression.

File photo shows a Bangladeshi man helping Rohingya refugees disembark from a boat. PHOTO: AFP

Upholding Halal in food consumption

Azlan Othman

Some 20 individuals learned the basic knowledge in the provision of Halal food, cleanliness and food safety aspects during a virtual programme organised by the Halal Food Control Division recently.

The programme, moderated by Halal Food Control Division’s food officer Nursyafiqah binti Abdul Latif and trainee teacher Mohd Idulfitri bin Haji Ahmad, presented about Halal Certification Body, Halal definition, principles and food source, cleanliness and food safety, and consumers’ responsibilities before purchasing food products.

Participants also learnt the importance of upholding Halalness of food source for the family, while enhancing awareness to practice the Halalan Thayyiban principle in daily tasks.

Earlobes can only handle so much

Andrea Sachs

THE WASHINGTON POST – On a multiday bicycle trip through Indiana, I plowed into a bridge. But that accident was not nearly as alarming as the incident that occurred in the evening. I was relaxing in my hotel room when I noticed my silver earring on the carpet. I searched for the backing, only to discover that it was still attached to the stud.

In the bathroom mirror, I peered at a cavity in my earlobe as vast as the Buckskin Gulch in Utah. To my horror, I realised that the entire earring had slipped through the enlarged hole like a tiny slot canyon climber.

When you’re young and seemingly indestructible, the responsible adults in your life remind you to slather on sunscreen, eat your vegetables and wear a bike helmet. But no one warns kids with fresh piercings to protect their ears lest they wind up with stretched holes, elongated lobes or, in extreme cases, a lifetime sentence of unadorned ears.

“The delicate earlobe can only handle so much weight,” said a dermatologist and founder of Skin & Aesthetic Surgery of Manhattan Michelle Henry.

A confluence of factors can alter the pinprick shape and size of the pierced ear. As we age, our skin loses collagen and elasticity, as well as the fatty tissue that provides fullness to the teardrop body part. Gravity also works its dark magic.

The plump lobes of our youth can become as thin and deflated as overworked pie crust. A sensitivity or allergy to a metal such as nickel can lead to an infection or inflammation that weakens the holes’ interior skin. And, finally, heavy earrings worn often and irresponsibly can drag lobes southward. Eventually, they will retire down there.

“Once you start down this road,” said a plastic surgeon at the Quatela Center for Plastic Surgery in Rochester, New York Ashley Amalfi, “the only options are fillers or surgery”.

Some earring-wearers will set foot on that path sooner than others. Amalfi said people could start experiencing problems if the professional – or amateur – piercer missed the bull’s eye.

“From the get-go, if the piercing was done incorrectly, if it is asymmetrical, not centred or too close to the bottom,” she said, “there won’t be enough support for the earrings.”

My piercings were smack in the middle of my lobes, thanks to my pediatric surgeon father, who measured and marked the spots with a ruler and pencil. But placement isn’t everything; you need to pamper your ears as well.

You can slow down the ageing process with sunscreen and lotion. If you favour heavy pieces, such as chandelier earrings or chunky hoops, wear them sparingly and remove them as soon as possible. Also take off your earrings when showering or getting dressed, to avoid an entanglement with a tress or turtleneck. And never nod off in earrings, even small sparklers.

“The stud squashes the natural tissue,” Amalfi said, “especially if you are a side sleeper”.

If your condition is mild, you can try a product that purportedly provides extra support – a push-up bra for lobes. I sampled several designs. First, I experimented with a self-adhesive pad that attaches to the back of the ear like a motion sickness patch. I pushed the earring post through my ear and the transparent sticker, then secured the backing.

The company, Lobe Wonder, claims its invention “bears a major part of the earring weight, relieving the ear lobe of the pressure.” But I didn’t feel any relief, even in my healthier ear.

I had better results with “earring lifters”, sturdy backings that stabilise the earring. My glittery red danglers sat higher up on my ears, and I didn’t feel the usual drag.

In my online quest for treatments, I also discovered several DIY remedies of a suspicious nature, such as caulking the hole with toothpaste or crushed aspirin and sealing the opening with tape. The medical experts I spoke with rebutted these ideas.

“There is no home remedy that helps this problem,” Amalfi told me. “A topical will not regrow the tissue.”

And Chris Adigun, a board-certified dermatologist and medical director of the Dermatology & Laser Center in Chapel Hill, NC, said medicine-cabinet recipes can compound the trauma.

So, how do you know if your ears require medical intervention? There are several signs: If the earring points down instead of straight. If your lobes are different lengths. If the earring with the backing slips through the hole. And of course, in the most extreme scenario, when the jewellery rips through the bottom of the lobe, creating two flaps of skin.

If the hole is only slightly stretched out, a dermatologist, plastic surgeon or other cosmetics professional can inject hyaluronic acid, a temporary dermal filler, into the lobes. Henry compares the procedure to tightening a drawstring purse.

“The filler gathers the skin and functionally makes the hole smaller,” she said. The price tag varies by geography and the number of syringes used. At her practice, Henry said the procedure costs USD900 per ear. Adigun said the treatment goes for several hundred dollars.

Fillers fade after a year to 18 months, so you will need to re-plump in perpetuity. (Earlobe fillers received an endorsement from reality TV in 2018, when Brielle Biermann, the daughter of Real Housewives Kim Zolciak-Biermann, tweeted, “My mom gets filler in her ears because her diamond earrings are too heavy.”)

Some ears, such as my right one, are too far gone for filler. Surgery is the only solution.

Several specialists surgically repair piercings, including plastic surgeons, dermatologists and otolaryngologists with this skill set. Choose a physician who is board-certified in dermatology or plastic surgery or fellowship-trained in facial plastic surgery.

Health insurance companies consider the procedure to be cosmetic and will not cover it, with the possible exception of a tear that requires emergency surgery. As with filler, the price is based on location and the medical practitioner, but expect to pay at least USD500 per ear, including post-op piercing.

For the minor operation, the physician will remove the top layer of the skin inside the hole to create an injury similar to road rash. “You know how if you fall and scrape the top layer of skin on the pavement?” said plastic surgeon with Pioneer Valley Plastic Surgery in Massachusetts Melissa Johnson, who performed my surgery. “It’s like that.” The raw skin will spur the cells to regenerate and form scar tissue.

This is the reason the doctor can’t simply reduce the elongated portion with a stitch or two; the entire hole must be sealed shut. “It would be like sewing your fingers together,” Amalfi said. “Because they have skin on all sides, they could never heal together. But if both were cut open, they could heal together and be joined.”

During my consultation, Johnson took one glance at my sagging earlobe and knew she had to operate. My hole had stretched from one to five millimeters and was at risk of ripping.

Thankfully, my left ear was in better shape. I settled into a chair facing Cat in the Hat artwork by Dr Seuss. She injected a local anaesthesia to numb the ear, then carefully snipped away at the skin using a pair of small scissors.

She sewed up the front and back of the hole and covered the stitches with adhesive strips that blended in with my skin tone. The procedure took less than 30 minutes.

Recovery involves a lot of waiting. For the adhesives to fall off. For the stitches to dissolve.

For the scar tissue to build up. For the lobe skin to return to at least 80 per cent of its original strength. For six months to pass, when you can wear earrings again – the starter studs of your youth.

Why a price hike in everyday commodities?

Grocery shopping is now no longer an errand to be enjoyed by many. I think I speak on behalf of the majority of the Brunei population on the ever growing concern of the increase in the price of commodities. Even with authorities setting the benchmark for the selling of price controlled goods, especially household items like cooking oil, sugar and the like, it doesn’t help when retailers hike the price above the maximum rate set for specific goods.

One such store even posted a notice informing on the increase in the price of wheat flour from the usual BND2.40 to BND3, citing the rising cost of raw materials and freight charges behind the price hike.

Many would agree that the increase in the price of commodities has become an upward trend among retailers across the country. I was appalled on discovering the price of beef now is as high as BND18.90 per kilogramme when only a year ago, one could get the same quantity for just BND12. And it goes the same for the price of raw chicken now at BND4.70 per kilogramme and fresh Ikan Tenggiri currently selling at BND11 per kilogramme.

The increase in the price of household commodities has taken its toll on people like me, who fall into the low and middle-income category. We are already accustomed to the standard and automated reply of the emergence of COVID-19 being one of the main driving factors.

The social media has become a popular platform for the disgruntled public to voice out their frustration on the price hike of basic household commodities. It would be fair if consumers like us are given a justified reason behind the dramatic increase in the price of everyday goods.

A most relevant example is when Minister at the Prime Minister’s Office and Minister of Finance and Economy II Dato Seri Setia Dr Awang Haji Mohd Amin Liew bin Abdullah provided a detailed explanation on the increase in the price of bottled water in the country, not too long ago, when the matter was raised during the daily COVID-19 press conference.

According to the minister, the rise in logistics cost, such as plastic materials used in bottling water, is the major contributing factor for the price hike.

The public was assured that officers from the Department of Economic Planning and Statistics (DEPS) had contacted local bottled water companies to cooperate by minimising the price increase. The same could be done to address the current issue of the increase in the price of household commodities.

Consumers like us would appreciate if there are any sound reason behind the price hike delivered in a formal setting as opposed to getting information from the word of mouth, or in this case, through keyboard warriors.

Ten years ago, with only BND50 inside the wallet, the trolley would be filled with a decent amount of basic household necessities compared to what we can get for the same amount these days. Maybe a large bottle of cooking oil, a sack of rice and a few cans of condensed milk with one or two packs of instant noodles to spare if you are lucky enough.

Disgruntled Shopper

British ferry operator faces deadline to explain mass firing

LONDON (AP) – A United Kingdom (UK) ferry operator owned by the government of Dubai faces a deadline to explain why it fired 800 workers without notice, while British authorities say they may seek criminal penalties if the company is found to have acted illegally.

P&O Ferries fired the crew members over a Zoom call last week and then sent security teams onto ships to evict workers, touching off protests at ports around the UK Unions allege their members have been replaced by foreign workers who were hired through a third-party agency and are being paid USD2.38 an hour.

The British government has notified P&O that the company appears to have violated rules requiring employers to consult with unions and notify authorities before laying off large numbers of workers. The government wants to know why the company believes the rules don’t apply to P&O.

“It’s important that we get the exact detail … and we need to collect it in one place, because there are criminal sanctions involved in this, including an unlimited fine,” Business Minister Paul Scully, who is responsible for labour issues, told Sky News.

British law requires employers to consult with labour unions and pay the legal minimum wage, now GBP8.91 (USD11.75) an hour for workers 23 and older. But maritime companies that sail in international waters can avoid these rules by registering their ships in other countries.

P&O Ferries serves ports in the UK, Ireland, France and the Netherlands. It’s owned by worldwide logistics company DP World, a unit of government-owned Dubai World.

People protest in solidarity with 800 P&O Ferries workers fired last week, opposite the Houses of Parliament, in London. PHOTO: AP

Welcome to the metaverse, where the art is virtual but the headache is real

Lisa Bonos

THE WASHINGTON POST – “Are we in the metaverse right now?” I ask the man in line behind me. We’ve been waiting about 30 minutes to be outfitted with holographic glasses that will make 3D digital images appear in rooms that, to the naked eye, look empty.

Once we have on our glasses, a whimsical forest with falling origami-shaped leaves appears in one room, the skull of Abraham Lincoln in another. A horse neighs down the hall. As we wait, a child twirls around a virtual ballerina as his parent cautions him to look out for the flesh-and-blood humans.

We’re at Verse, an art exhibit where nothing is nailed to the walls and visitors can walk right through the digital images before them. It’s held at the Mint, a stately building in downtown San Francisco. In the 1870s, the Mint was said to have housed nearly one-third of the nation’s wealth. The vaults that once held gold are now bare, and the brick-walled space is a backdrop for weddings, haunted houses and tonight’s display of non-fungible tokens, or NFTs.

Peter, who’s waiting patiently in line behind me, says that yes, we’re in a version of the metaverse. He declines to use his full name because he works at Meta, the company formerly known as Facebook, which is working hard to convince the world that this next version of the Internet will be awesome.

The term metaverse was coined 30 years ago by novelist Neal Stephenson, who imagined a science fictional universe where avatars inhabit a virtual world similar to our physical one.

Hrishi Rajasekar takes a screen image of Tamer Rasamny while viewing augmented reality artwork at Verse, an immersive NFT exhibit at the San Francisco Mint in San Francisco. PHOTO: THE WASHINGTON POST

Peter’s boss, Meta co-founder and chief executive Mark Zuckerberg, called the metaverse “an embodied Internet where you’re in an experience, not just looking at it.” Like walking through an exhibit of 3D art, going to virtual concerts or conferences.

In the metaverse, paper money is replaced by cryptocurrency, which you need to buy the art dancing before your eyes at the Mint. Each NFT costs between USD25 and USD250,000, though they’re priced in various cryptocurrencies.

The NFT craze has already ensnared Melania Trump (she is selling 10,000 NFTs for USD50 each to celebrate moments during her husband’s presidency), Paris Hilton and the descendants of Pablo Picasso (who created a digital spinoff of the Spanish artist’s work). An NFT of NSA whistleblower Edward Snowden sold for more than USD5 million last year.

But wandering through the Mint, Sari Stenfors is skeptical.

Everyone is talking about the metaverse, Stenfors said, “but not so many people are actually visiting it”. A self-described “futurist” from Berkeley, California, she stands in front of a television screen that projects fiery wings off her back. Stenfors thinks she resembles a heavenly creature or something from hell – she’s not sure which.

“I keep feeling like I’m at Burning Man, but I want to touch and interact more,” Stenfors said.

“Touch is needed. I’m sure it’s going to come. Smells. We’re going to get it all.”

Later she straps on a HoloLens2 – a bulky USD3,500 pair of glasses from Microsoft – and tries not to bump into anyone. Being transported to another world is uncomfortable. For my maiden voyage, the HoloLens is screwed on too tight and leaves a mark on my forehead that’s visible hours later.

Before a Verse attendant sends me to explore on my own, she asks whether I can see the ballerina pirouetting down the hallway. When I reach my hand out in front of me, its shape is rendered in multicoloured polygons, twisting as I turn my hand this way and that. Instead of a traditional art exhibit with plaques on the walls, at Verse, attendees point the cursor in their HoloLens toward a square icon to reveal who made the NFT, its price and a little about the artist’s intention in creating it. This is about commerce, after all.

Sure, it’s cool to be immersed in a forest or walk past glowing lotus flowers, but navigating it is difficult. The glasses call for precise movements, and most Verse attendees are still learning. I aim my HoloLens at a specific icon, and if I move my head just a smidge, the display vanishes. There’s so much to absorb that it’s easy to forget to blink or to feel nauseated.

A banner in LED lights beckons attendees to ponder “What Is Real?” as they wander from one hologram to the next, potentially missing a huge artefact in plain sight: A stamp mill from the late 1800s, used to pulverize quartz so that gold could be extracted. Advanced technology for its time that’s now obsolete. At one point, I reach out and touch an empty brick wall to remind myself that the physical world exists not just as a container or a backdrop. Tiny grains of brick dust fall to the floor.

Wandering through Verse reminds me of the thrill and disorientation that came with the early days of smartphones.

Accessing email while out and about instead of seated at a desktop at home, looking up maps while en route from point A to point B, sharing pictures of your lunch on social media before you’d taken a single bite, or Googling facts about an old building as you were sitting on its steps.

That was the information overload circa 2007.

The newer version on display at the Mint is even more dizzying. It’s like having a million tabs open in your brain and walking right through them splayed out in front of you.

Learning to use a HoloLens is akin to learning to use a mouse and cursor for the first time, explained Ray Kallmeyer, the start-up founder behind Verse. “We find usually, after 30 to 60 minutes, that people are pretty solid with it,” Kallmeyer said.

‘WeCrashed’ is as essential as a WeWork in a pandemic

THE WASHINGTON POST – On a good day in 2016, WeWork, the office-share chain, would only lose USD1.2 million in a 24-hour period.

That figure would soon double, though, as co-founder and CEO Adam Neumann, its shoe-shunning master salesman, sought to “elevate the world’s consciousness” – his company’s official mission – by out-franchising Starbucks. But what does it mean to lose USD400 million in a single year? Or more than USD2 billion in 2018, shortly before Neumann would be forced to resign from a position that he and his wife, Rebekah Paltrow Neumann (of, yes, those Paltrows), had decided only she could name a successor for?

Recent tech-centric shows such as Hulu’s The Dropout and Showtime’s Super Pumped, about Theranos and Uber, respectively, have taken care to illustrate the real damage caused by reckless leadership: patients given wrong diagnoses, riders having their assaults ignored or dismissed, employees browbeaten into silence or complicity.

In contrast, Neumann charmed, then squandered, billions from investors – by definition, people with money to spare. So why are we supposed to care again?

WeCrashed, the new eight-part miniseries starring Jared Leto and Anne Hathaway as the pair of narcissists who oversaw the breathtaking rise of WeWork and practically engineered its fall, never really figures out how to answer that question satisfyingly.

Previous versions of this story, like the 2021 Hulu documentary WeWork: Or the Making and Breaking of a $47 Billion Unicorn, have used Neumann as a poster child for the now banal (if no less correct) observation of how thin the line in Silicon Valley can be between visionary and fraudster.

Jared Leto and Anne Hathaway as Adam and Rebekah Neumann in ‘WeCrashed’. PHOTO: APPLE TV PLUS

But perhaps because it’s from Apple TV Plus, the drama, based on the podcast of the same name, retreats from any larger critique of the tech industry (in one of the first, and certainly most prominent, instances of Silicon Valley putting forth a narrative about itself through television).

So we’re back to square one, wondering why, other than the very big numbers being thrown around, ordinary people are supposed to give a hoot about demigods pilfering from one another’s Scrooge McDuck-like vaults.

The best that creators Drew Crevello and Lee Eisenberg come up with is the delusion-fuelled marriage between Adam (Leto) and Rebekah (Hathaway), an amoral striver and a coddled dilettante who bring out the best and worst in each other.

Of the two, Rebekah, a vegan yoga teacher haunted by the kind of existential aimlessness that only those with no bills to pay can afford, is the slightly more sympathetic character; not a one of her several therapists can disabuse her of what she knows deep down to be true: There’s absolutely nothing special about her.

WeCrashed never lets us – or failed actress Rebekah – forget she is a cousin of Gwyneth’s. But the show never leans fully into camp or cattiness, frustratingly stuck instead somewhere between dishy and humanising (not unlike Leto’s House of Gucci).

The New York-set miniseries spans roughly a decade, with the couple meeting-cute at a party Adam throws trying to gin up cash for he and his pushover business partner Miguel McKelvey’s (Kyle Marvin) first iteration of WeWork.

As previewed in the pilot, Adam will become in just a few years the company’s most toxic asset. It’s easy enough to see how they get there. “Fear is a choice,” Rebekah tells her husband, as his ousting looms closer.

By that point, they’ve spent years mutually supporting each other’s divorces from reality.

Leto is almost always a capable actor, but the Israeli cadences he sports in the role mostly calls to mind the global tour of accents he currently seems to be on.

With his signature azure eyes covered up by brown contacts, it’s notable how much less striking he appears than the actual Neumann, whose long-haired, boyish mien somehow complements his six-foot-five height.

(The Hulu doc focussed extensively on how much the entrepreneur’s youthful but authoritative bearing contributed to the messianic pull he had over his employees – a quality barely explored and rather difficult to see here.)

Hathaway gives a much more memorable performance as a woman made of equal parts woo-woo froth and Ayn Rand hardness; she’s Adam’s biggest fan, and also the closest thing he has to an effective disciplinarian. (When he’s about to lose their company, Rebekah gives him a few moments to process the news, then chides, “Are we done pouting?”)

A perpetually underrated actor despite her Oscar, Hathaway – perfectly mimicking the real-life Paltrow Neumann’s patronising noblesse-oblige contralto – brings coherence to a character who desperately wishes she had a core.

The series’ strengths also include lavish production values and a diverting escalation in Adam and Rebekah’s ambitions and self-regard, which culminate in her starting a private school called WeGrow that’ll “feed our children’s souls”.

But if you’re wondering whether you should just learn about the Neumanns’ outrageously expensive and extravagantly silly antics through the Hulu doc or one of the countless exposés about the couple, well, maybe you should.

WeCrashed is the umpteenth series to stretch out to four or eight or 12 hours what movies used to do in two. Episodically structured with plenty of eyebrow-raising details, the show’s dramatisations are eminently watchable, but ultimately weightless.

Much of that sense of inconsequentiality stems from the minimal stakes of WeWork’s decline.

Yes, some young employees were disillusioned that their party-obsessed boss didn’t live up to his rhetoric of changing the world, and some 20-somethings weren’t able to become the multimillionaires they thought they would once the company went public.

But at least in this retelling, whatever happens on Olympus stays on Olympus: Some mega-rich people become slightly less rich, and then the world moves on.

We can mock their foibles and understand their vulnerabilities, but in declining to conjecture what WeWork’s nosedive meant for the rest of us, it’s got even less of a purpose than a co-working space during a pandemic.