ANN/THE PHNOM PENH POST – One of the US Cambodian diaspora’s greatest cinematic occasions is set to celebrate a decade of showcasing the Kingdom onscreen, as the Cambodia Town Film Festival once (CTFF) again features on California’s cultural calendar.
This year’s festival will give audiences the opportunity to experience a lineup of 30 diverse films, including documentaries, shorts and features that delve into Cambodian culture and experiences.
Founded by Prach Ly and Caylee So, members of the large Cambodian-American community of Long Beach, the festival was created to highlight Cambodian films and celebrate their cultural heritage.
Caylee So, a filmmaker and US military veteran, co-wrote, co-directed, and co-produced the 2018 film In the Life of Music, which was the Cambodian entry for Best International Feature Film at the 92nd Academy Awards.
Prach Ly, an artist and activist, is well-known for his music, which addresses the Cambodian genocide and social issues.
Launched in 2014, the festival has become a prominent event in the Cambodian-American community and a platform for promoting Cambodian cinema globally. Long Beach’s Cambodia Town, a vibrant community, attracts over 20,000 visitors to its Khmer New Year celebrations each year.
As a vital component of this cultural hub, the CTFF has grown significantly over the past decade.
The festival’s evolution is marked by an increase in both the quantity and quality of films showcased.
“Initially focused on a limited selection of Cambodian films, the festival has expanded to feature diverse content from Cambodian filmmakers and stories from the broader Southeast Asian community,” explains co-founder So.
She believes that this diversity has enriched the festival’s programming and attracted a wider audience, with many films receiving critical acclaim and international recognition.
By showcasing Cambodian cinema, the festival fosters pride and cultural identity among community members, creating opportunities for cultural exchange and dialogue. This connection to heritage is especially meaningful for members of the younger generations who are seeking to understand their roots. The festival also positively impacts local businesses by attracting a diverse audience, boosting foot traffic and sales in the area.
The journey to the 10th edition has not been without challenges. Securing funding and sponsorships to support the festival’s operations and programming remains a significant hurdle.
“This often involves extensive outreach to potential sponsors and fundraising efforts,” says So.
Curating a diverse selection of quality films – while ensuring a cohesive vision for the festival – also requires constant communication and collaboration with filmmakers and industry professionals.
This year, the ‘RuMBa Foundation of Long Beach’ has enabled CTFF to offer free screenings for all students and seniors.
“We’re proud to support the films and filmmakers while ensuring there is an audience to experience these amazing works,” adds So.
The festival prioritises films that reflect the Cambodian experience, encompassing themes such as identity, heritage and history, as well as contemporary issues.
Happy Ending, directed by Elodie Yung, is a 17-minute film about a Cambodian woman who works in an illicit massage parlour in the US to support her family.
The Night Curse of Reatrei, directed by Leak Lyda and produced by Leng Soklin, is a 94-minute feature set in an orphanage with a haunting past, starring Paing Takhon, Shin Yubin, Princess Jenna Norodom and Sam Tharoth.
Satook, a 30-minute documentary directed by Prach Ly, explores the transformation of religious traditions within Cambodian American communities.
Elvis of Cambodia, directed by Chris G Parkhurst, is a 70-minute documentary that delves into the legacy of Sinn Sisamouth, Cambodia’s most famous singer, whose music continues to endure globally through Cambodian refugees around the world.
Work Life, directed by Keving Ung and produced by Raphael Buisson, is a 14-minute film about four corporate co-workers whose lives intertwine through improbable twists of fate.
“We look for compelling storytelling with strong performances, direction and cinematography, as well as overall impact,” explains So.
