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Coppola on “Megalopolis,” Trump, and Hollywood’s future

Director Francis Ford Coppola poses for photographers at the photo call for the film 'Megalopolis' at the 77th international film festival, Cannes, southern France, Friday. PHOTO: AP

CANNES, France (AP) — Much attention has been paid to the USD120 million of his own fortune that Francis Ford Coppola put up to make the futuristic epic “Megalopolis,” but the director himself isn’t much concerned.

“I don’t care. I never cared,” Coppola said of money, speaking to reporters at the Cannes Film Festival on Friday. “The money doesn’t matter. What is important are the friends. Because friends will never let you down. Money may evaporate.”

Coppola sold a piece of his winery business to finance “Megalopolis,” a passion project the filmmaker has been pondering for decades. Regardless of the outcome — the film is seeking a North American distributor — he’s going to be fine, financially, Coppola said.

“My children, without exception, they have wonderful careers without a fortune,” he said. “They don’t need a fortune.”

Coppola faced questions from the press the day after premiering the hotly anticipated “Megalopolis,” starring Adam Driver as an architect named Cesar Catalina who is trying to build a utopia in a future New York City. Critics called the film everything from a disaster to an admirably ambitious gambit that only Coppola could make.

Coppola fashions his film as a Roman Empire-esque tale. The closer he got to making it, he said, the more relevant it seemed to him.

“What’s happening in America, in our republic, our democracy, is exactly how Rome lost their republic thousands of years ago,” said Coppola, who lamented the resurgence of the “neo-right, even fascist tradition.”

“Our politics has taken us to the point where we might lose our republic,” he continued. “It’s not the people who have become politicians who are going to be the answer. I feel it’s the artists of America. The role of the artist is to illuminate contemporary life, to shine a light, to be the headlights.”

Drawing laughs, Coppola then turned to one his cast members, Jon Voight, noting he had “different political opinions.” Voight responded: “How did you find that out?”

Coppola has been shopping “Megalopolis” for potential buyers. When asked whether a streaming company might be a home for the movie, he suggested streaming was nothing new.

“Streaming is what we used to call home video,” Coppola said. He voiced some misgivings about modern Hollywood.

“The job is not so much to make good movies, the job is to make sure that they pay their debt obligations,” he said of studios. “It might be that the studios that we knew for so long — some wonderful ones — are not going to be here in the future.”

But Coppola’s tone was otherwise overwhelmingly positive. The 85-year-old filmmaker exalted the family members who came with him and implored reporters to ask more questions of his cast, including Laurence Fishburne, Giancarlo Esposito and Aubrey Plaza. (Shia LaBeouf attended Thursday’s premiere but did not join the press conference.)

“There’s so many people when they die, they say, ‘I wish I had done this, I wish I done that,'” said Coppola. “When I die, I’m going to say, ‘I got to do this.’ I got to see my daughter (Sofia Coppola) win an Oscar and I got to make wine and I got to make every movie I wanted to make. I’m going to be so busy thinking about all the things I got to do that when I die I won’t notice it.”

Director Francis Ford Coppola poses for photographers at the photo call for the film ‘Megalopolis’ at the 77th international film festival, Cannes, southern France, Friday. PHOTO: AP

Diddy caught on video allegedly assaulting Cassie in 2016

Sean "Diddy" Combs appears at the premiere of "Can't Stop, Won't Stop: A Bad Boy Story" on June 21, 2017, in Beverly Hills, California. PHOTO: AP

LOS ANGELES (AP) — Security video aired by CNN appears to show Sean “Diddy” Combs attacking singer Cassie in a Los Angeles hotel hallway in 2016, the latest in a months-long series of public allegations and revelations of physical and sexual violence from the hip-hop mogul.

The video aired Friday appears to show Combs, wearing only a white towel, punching and kicking the R&B singer who was his protege and longtime girlfriend at the time. The footage also shows Combs shoving and dragging Cassie, and throwing a vase in her direction.

The security camera video, dated March 5, 2016, closely resembles the description of an incident at an InterContinental Hotel in the Century City area of Los Angeles described in a November lawsuit filed by Cassie, whose legal name is Cassandra Ventura, that alleged years of sexual abuse and other violence from Combs.

The lawsuit alleges Combs paid the hotel USD50,000 for the security video. CNN did not say how it obtained the video but noted it verified the location it was shot by comparing the footage to publicly available images of the InterContinental Hotel.

Cassie’s lawsuit was settled the day after it was filed, but spurred intense scrutiny of Combs, with several more lawsuits filed in the following months, along with a federal criminal sex-trafficking investigation that led authorities to raid Combs’ mansions in Los Angeles and Miami.

Representatives for Combs did not immediately comment on the video, but he has previously denied the allegations in the lawsuits, and his lawyers have said he denies any wrongdoing and will fight to prove his innocence.

“The gut-wrenching video has only further confirmed the disturbing and predatory behavior of Mr Combs,” said Douglas Wigdor, an attorney for Cassie who has filed other lawsuits against Combs. “Words cannot express the courage and fortitude that Ms Ventura has shown in coming forward to bring this to light.”

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Ventura has.

According to the lawsuit, Combs earlier in the evening became “extremely intoxicated” and punched Ventura, giving her a black eye. After he fell asleep she tried to leave, the suit says. This is apparently where the video begins. Ventura can be seen heading to a bank of elevators with a packed bag.

Then Combs awoke and began screaming at her, following her down the hall, the suit said.

He violently grabs her and yanks her to the ground, kicks her, and throws vases in her direction in the video.

The lawsuit says she managed to get away, but later returned out of fear that she would face greater abuse if she didn’t. As she returned, hotel staff urged her to go back to her apartment, the suit says. She would flee and hide out with a friend in Florida.

The lawsuit alleges Combs paid the hotel USD50,000 for the security video.

It is unlikely Combs could be criminally charged in the attack. The statutes of limitations for assault or battery in California run from one to three years depending on whether they’re charged as misdemeanours or felonies.

The video’s release comes as Combs and his legal team had begun to push back against the allegations that had come in a steady stream since November. They recently filed motions to dismiss parts of a lawsuit alleging he sexually assaulted a woman in 1991, and to dismiss all of a lawsuit alleging he and two other men raped a 17-year-old girl in 2003. The court filings called both sets of allegations false.

On March 25, Homeland Security Investigations served search warrants on Combs’ homes in Los Angeles and Miami in a sex-trafficking investigation. His lawyer called it “a gross use of military-level force.” The investigation is continuing. Combs has not been charged.

Combs, a three-time Grammy winner and the founder of Bad Boy Records, is among the most influential hip-hop producers and executives of the past three decades. He turned his hip-hop success into a broader business empire that includes private-label spirits, fashion, and a TV network. He has had to step aside from some of his business roles since the allegations began emerging.

He and Ventura began dating in 2007 and had an on-and-off relationship for more than a decade.

She became known for the hit single “Me & U,” which secured the No 1 spot on the Billboard Hot R&B/Hip-Hop songs chart in 2006. The song was the lead single of her self-titled and only studio album.

As an actor, she has appeared in several television shows and films, including Fox’s “Empire,” “Step Up 2: The Streets” and “Spenser Confidential.”

Sean “Diddy” Combs appears at the premiere of “Can’t Stop, Won’t Stop: A Bad Boy Story” on June 21, 2017, in Beverly Hills, California. PHOTO: AP

Judge adjourns decision on Alec Baldwin’s indictment

This aerial photo shows the movie set of "Rust," at Bonanza Creek Ranch, October 23, 2021, in Santa Fe, New Mexico. PHOTO: AP

SANTA FE, New Mexico (AP) — A New Mexico judge plans to rule next week on a grand jury indictment against Alec Baldwin in the fatal shooting on the set of “Rust,” after hearing arguments Friday that the proceedings were unfair to the defendant.

The indictment in January charged Baldwin with involuntary manslaughter in the fatal shooting of cinematographer Halyna Hutchins on October 21, 2021, at a movie ranch on the outskirts of Santa Fe.

Baldwin, a lead actor and co-producer on the Western, has pleaded not guilty to the charge, which carries a maximum sentence of 1.5 years in prison. His attorneys argued during the virtual hearing on Friday that the grand jury received a one-sided presentation in bad faith from prosecutors who steered jurors away from exculpatory evidence and witnesses.

During rehearsal, Baldwin was pointing a gun at cinematographer Halyna Hutchins when the revolver went off, killing Hutchins and injuring Joel Souza, the director. Baldwin has maintained that he pulled back the gun’s hammer, but not the trigger.

Alec Baldwin attends the Roundabout Theatre Company’s annual gala at the Ziegfeld Ballroom on March 6, 2023, in New York. PHOTO: AP

Baldwin’s motion to dismiss the indictment argued that the grand jury received inaccurate and limited testimony about the revolver and safety protocols on movie sets.

Over more than two hours of arguments Friday, defence attorneys for Baldwin accused the special prosecutor of neglecting her responsibilities to ensure impartiality and access to the defence’s witnesses and evidence.

“The fix was in,” said defence attorney Alex Spiro. “There were no (defence) witnesses there to testify. There was no evidence binder of the defense exhibits.”

“They never intended for the grand jury to ask for witnesses,” he continued. “They never wanted the grand jury to ask for exhibits.”

Special prosecutors say they followed grand jury protocols and accuse Baldwin of “shameless” attempts to escape culpability, highlighting contradictions in his statements to law enforcement, to workplace safety regulators and in a televised interview. A jury trial is scheduled for July.

Lead prosecutor Kari Morrissey on Friday defended her oversight of the grand jury, noting that she read to jurors a court-approved letter that outlines procedures for accessing exculpatory evidence and witnesses — and that she physically pointed at the defence’s boxes of evidence.

“The grand jury never asked to hear from witnesses. There is nothing I can do about that,” Morrissey said. “We followed all of the judge’s orders.”

Defence attorneys also highlighted that jurors were interrupted when they brought up questions about safety procedures on film sets. Baldwin’s attorneys said jurors were guided away from listening to testimony from a sheriff’s detective and instead toward an expert witness paid by the prosecution to talk about film set safety.

Judge Mary Marlowe Sommer seized on that point in a series of questions for Morrissey, asking why the detective wasn’t allowed to answer. Morrissey said the detective was well acquainted with the wrong ways to handle gun safety on a movie set from investigating the “Rust” set, but not well versed on proper industry protocols.

“I did not prevent the grand jury from getting answers,” Morrissey said. “I made sure the grand jury got the answers to their questions from the witness with the most experience.”

Baldwin did not appear at the hearing. Prosecutors have turned their full attention to Baldwin after a judge in April sentenced movie weapons supervisor Hannah Gutierrez-Reed to the maximum of 1.5 years at a state penitentiary on an involuntary manslaughter conviction for Hutchins’ death.

Prosecutors last year dismissed an earlier involuntary manslaughter charge against Baldwin after being told the gun he was holding might have been modified before the shooting and malfunctioned. A new analysis of the gun last year enabled prosecutors to reboot the case.

The indictment against Baldwin offers two possible standards for prosecutors to pursue. One would be based on the negligent use of a firearm. An alternative is to prove beyond a reasonable doubt that Baldwin caused Hutchins’ death without “due caution” or “circumspection,” also defined as “an act committed with total disregard or indifference for the safety of others.”

Defence attorneys also accused prosecutors of making little to no effort to ensure the jury could access several witnesses, including the film’s director, as well as assistant director and safety coordinator Dave Halls and props master Sarah Zachry. Halls last year pleaded no contest to negligent handling of a firearm and completed a sentence of six months of unsupervised probation.

The judge asked Morrissey of Friday about her efforts to communicate with defence witnesses in case they were called upon by the grand jury. Morrissey said she contacted several but not all witnesses — but received assurances from a relevant judge that the grand jury’s time could be extended if a witness was not immediately available.

Hannah Gutierrez-Reed, the former armourer at the movie “Rust,” listens to closing arguments in her trial at district court, March 6, in Santa Fe, New Mexico. PHOTO: AP

The two-week trial of Gutierrez-Reed gave attorneys for Baldwin and the public a unusual window into how the actor’s own trial could unfold.

Baldwin figured prominently in testimony and closing arguments that highlighted his authority as a co-producer and the lead actor on “Rust.” Both the prosecution and defence in Gutierrez-Reed’s trial dissected video footage of Baldwin before the fatal shooting for clues about breakdowns in firearms safety.

Prosecutors said Gutierrez-Reed unwittingly brought live ammunition onto the set of “Rust,” where it was expressly prohibited, and failed to follow basic gun safety protocols.

Gutierrez-Reed is appealing the conviction, decided by a jury in March, to a higher court but hasn’t yet filed detailed arguments. At sentencing, Gutierrez-Reed told the judge she tried to do her best on the set despite not having “proper time, resources and staffing.”

After the shooting in New Mexico, the filming of “Rust” resumed but in Montana, under an agreement with Hutchins’ husband, Matthew Hutchins, which made him an executive producer. A wrongful death lawsuit in civil court by Matthew Hutchins and the Hutchins’ son was settled under undisclosed terms.

Defence attorneys say Baldwin last year was offered a deal to plead to a “minor offense” before a grand jury was convened, but the offer that was “inexplicably retracted” before the deadline to respond.

This aerial photo shows the movie set of “Rust,” at Bonanza Creek Ranch, October 23, 2021, in Santa Fe, New Mexico. PHOTO: AP

Stray Kids perform new single on GMA

Stray Kids (ABC/Lou Rocco)

(ANN/KOREA HERALD) – K-pop sensation Stray Kids made their debut performance of their latest English digital single, “Lose My Breath,” on the renowned morning show “Good Morning America” on Wednesday.

During a lively chat with local fans before the performance, Stray Kids member Felix excitedly announced, “We have some exciting news. We’re gearing up for a tour. It’s been a long time since we’ve prepared for something this grand!”

When quizzed by a fan about the creative journey behind the track, Stray Kids leader Bang Chan shared, “Working with Charlie (Puth) was an incredible experience. He’s incredibly musically gifted, and there was so much to learn from him. The project turned out phenomenally well, and we hope you all enjoy it.”

Stray Kids. PHOTO: ABC/Lou Rocco via ANN/KOREA HERALD

Global pop sensation Charlie Puth not only lent his vocals to the song but also contributed to its composition and lyrics.

Contrary to the band’s signature high-energy beats, “Lose My Breath” offers a refreshing blend of R&B-infused pop melodies.

In addition to their electrifying performance on “Good Morning America,” Stray Kids are gearing up to headline three major outdoor summer music festivals. Fans can catch them on the main stage at I-Days in Milan on July 12, BST Hyde Park in London on June 14, and Lollapalooza Chicago on August 2.

A college puts the ‘cat’ into ‘education’

This photo provided by Vermont State University shows Max the Cat standing in front of Woodruff Hall at Vermont State University Castleton. PHOTO: AP

Max gets an honorary ‘doctor of litter-ature’ degree

CASTLETON, Vermont (AP) — A Vermont university has bestowed the honorary degree of “doctor of litter-ature” on Max the cat, a beloved member of its community, ahead of students’ graduation on Saturday.

Vermont State University’s Castleton campus is honouring the feline not for his mousing or napping, but for his friendliness.

“Max the Cat has been an affectionate member of the Castleton family for years,” the school said in a Facebook post.

The popular tabby lives in a house with his human family on the street that leads to the main entrance to campus.

“So he decided that he would go up on campus, and he just started hanging out with the college students, and they love him,” owner Ashley Dow said Thursday.

He’s been socialising on campus for about four years, and students get excited when they see him. They pick him up and take selfies with him, and he even likes to go on tours with prospective students that meet at a building across from the family’s house, she said.

“I don’t even know how he knows to go, but he does,” Dow said. “And then he’ll follow them on their tour.”

The students refer to Dow as Max’s mom, and graduates who return to town sometimes ask her how Max is doing.

Max won’t be participating in the graduation, though. His degree will be delivered to Dow later.

This photo provided by Vermont State University shows a special diploma for Max the Cat at Vermont State University Castleton on October 12, 2023 in Castleton, Vermont. PHOTO: AP
In this photo provided by Vermont State University, students pet Max the Cat in front of Leavenworth Hall at Vermont State University Castleton on October 12, 2023. PHOTO: AP
This photo provided by Vermont State University shows Max the Cat standing in front of Woodruff Hall at Vermont State University Castleton. PHOTO: AP

Paul Schrader felt death closing in

Director Paul Schrader poses for portrait photographs for the film 'Oh, Canada', at the 77th international film festival, Cannes, southern France. PHOTO: AP

So he made a movie about it

CANNES, France (AP) — After a string of hospitalisations for long COVID, Paul Schrader had a realisation.

“If I’m going to make a film about death,” Schrader told himself, “I’d better hurry up.”

The health of the 77-year-old filmmaker, whose films and scripts have covered half a century of American movies, from “Taxi Driver” to “First Reformed,” has since improved. But that sense of urgency only increased when Russell Banks, a friend of Schrader’s since he adapted Banks’ “Affliction” into the 1997 film, began ailing. Banks died in 2023.

Schrader resolved to turn Banks’ 2021 novel “Foregone” into a film. At the time, he imagined it would be his last. But Schrader, who’s been as prolific as ever in the past decade, has said that before.

In 2017, he surmised that “First Reformed” was his final cinematic statement. Then he made 2021’s “The Card Counter.” And, after that came 2022’s “Master Gardener.”

Director Paul Schrader poses for portrait photographs for the film ‘Oh, Canada’, at the 77th international film festival, Cannes, southern France, Friday. PHOTO: AP 

“The irony is every time you think, ‘Well, that’s about it,’ you have a new idea,” Schrader told The Associated Press in an interview at the Cannes Film Festival. “And you have to write the new idea and make the new film. ‘OK, God, put that thing on hold. I’ll be back to you when I’ve finished my film.'”

Schrader, chuckling, adds: “I’m going to start a new company called Post-Mortem Cinema.”

On Friday, Schrader was to premiere his Banks’ adaptation, now titled “Oh, Canada,” at Cannes. It’s his first time back in competition in 36 years. And, particularly given that he’s joined this year by Francis Ford Coppola and George Lucas — all of them central figures of the fabled New Hollywood — Schrader’s Cannes return comes with echoes of the heyday of ’70s American moviemaking. “Taxi Driver,” which Schrader wrote, won the Palme d’Or here in 1976.

Schrader, though, allows for only so much nostalgia.

“It’s gotten aggrandised in the collective memory. There were a lot of bad films. There were a lot of bad players,” Schrader says of the ’70s. “However, it was the birth of the self-starting movement in cinema. So people like George and Francis and I, all film-school graduates like Marty, we all started our careers in this environment. That was a kind of a golden moment, but that doesn’t mean all the films were golden.”

“Oh, Canada,” which is seeking a distributor, is a kind of bookend to one of the films from that era: the 1980 neo-noir “American Gigolo.” Schrader reteams with Richard Gere decades after “American Gigolo” made Gere a star. Until now, Schrader says, the two hadn’t much discussed reuniting.

“Richard had been developing some mannerisms that I wasn’t entirely comfortable with as a director, and roles I wasn’t comfortable with,” Schrader says. “I was thinking more in terms of Ethan (Hawke) and Oscar (Isaac).”

But the idea of “Oh, Canada” as a kind of spiritual sequel to “American Gigolo” appealed to him. In the film, Gere stars as a revered Canadian filmmaker named Leonard Fife who, nearly on his deathbed, grouchily sits for an interview with documentary filmmakers. His wife (Uma Thurman) watches on as Leonard tells his life story, seen in flashbacks with Jacob Elordi playing the younger Fife, in the 1960s. We have the impression that Fife, who fled to Canada during the Vietnam War, is speaking more honestly than ever before.

“I thought the dying Gigolo — that put some spin on it. People are going to be interested in that, even though it’s not the same character at all,” Schrader says. “I could see that he had come out of retirement. He needs this, therefore he’ll do it for nothing.”

Schrader approached Gere with a few stipulations.

“I said, ‘I’ll send it to you on three conditions: One, that you read it right away. Two, that I get an answer in two weeks. And, three, that you understand my financial parameters,'” Schrader says. “He agreed. I said the same thing to (Robert) De Niro. Bob said, ‘Well, I agree to the first two but not the third one.'”

“So I didn’t send the script to Bob,” Schrader says, laughing.

Since the 2013 film “The Canyons,” which he directed from a Bret Easton Ellis script, Schrader has found a way to make the economics of independent filmmaking work for him.

“People thought that was all a kind of desperate career failure, but it was a glimpse into a new world. It was a trial run of how you do a film yourself,” says Schrader. “After that, I knew that you could make a film and get final cut. You could say to an investor: ‘I’m not going to make you rich — get that dog out of your head. But I think I’m going to make you whole. And I’m going to give you a credit and I’m going to put you on a red carpet somewhere. You could put your money into toasters or tires, or you could put it into this film.'”

The significant caveat to that, Schrader says, is that he came up in the old system of Hollywood. He’s not sure the same strategy could work for someone less established in today’s digital landscape.

Director Paul Schrader poses for portrait photographs for the film ‘Oh, Canada’, at the 77th international film festival, Cannes, southern France. PHOTO: AP

“I got my head above the crowd when there was only 400 people in the room,” he says. “Now there’s 40,000 people in the room.”

But few filmmakers remain as engaged with current cinema as Schrader. He goes at least once a week to the movies and often posts brief reviews on his Facebook page. Jane Schoenbrun of “I Saw the TV Glow,” he recently wrote, is “hands down the most original voice in film in the last decade.” He liked the tennis drama “Challengers” (“Zendaya is a star”) but wrote: “The studios would have never let this slight a story run so long — on the other hand, the studios aren’t making this movie anymore.”

“You usually go to the movies because it’s something you want to see in a crowd,” Schrader says. “Like, I went to see ‘Cocaine Bear’ because I knew it would be great to see with an audience.”

“It’s not a particularly good time for film,” Schrader concludes as the interview winds down. “It’s not a bad time. It’s very easy to get a film made. It’s very hard to make a living”. – JAKE COYLE

M’sia police station shooting: S’porean among seven remanded

JThe bodies of Constable Ahmad Azza Fahmi Azhar, 22, and Constable Muhamad Syafiq Ahmad Said, 24, were brought to Tunku Laksamana Abdul Jalil Mosque, Johor Police Contingent Headquarters (IPK) Saturday morning, for funeral prayers and last respects. The bodies will then be taken to their respective hometowns in Bidor, Perak and Kuantan, Pahang. PHOTO: BERNAMA

PASIR GUDANG (ANN/THE STAR/BERNAMA) – Seven individuals, including a Singaporean, who were arrested on Friday in connection with the attack on the Ulu Tiram police station have been remanded for seven days.

The remand order was issued by Magistrate Hidayatul Syuhada Shamsudin from Saturday (May 18) until Friday (May 24) at the Seri Alam District police headquarters.

The remand is to assist in the investigation under Section 302 of the Penal Code for murder.

All the suspects were represented by lawyers from the National Legal Aid Foundation’s (YBGK), except for the Singaporean individual.

The remand was conducted at the district police headquarters where the suspects are currently detained, due to safety concerns.

Seri Alam District police headquarters. PHOTO: BERNAMA

In the incident at 2:45 am on Friday (May 17), two policemen, Constable Ahmad Azza Fahmi Azhar, 22, and Constable Muhamad Syafiq Ahmad Said, 24, were killed while another was injured after being attacked by an intruder at the Ulu Tiram station.

Another police officer, Koperal Mohd Hasif Roslan, was injured and is currently receiving treatment at the Sultan Ismail Hospital.

The masked intruder, believed to be a member of Jemaah Islamiah, was shot dead at the location.

Five of the seven individuals detained during a morning raid at the suspect’s house were family members aged between 19 and 62, while two others were students from higher learning institutions who are believed to have a connection with the incident.

Home Minister Datuk Seri Saifuddin Nasution Ismail earlier stated that the 21-year-old assailant had connections to Jemaah Islamiah (JI) but was believed to have acted alone as a lone wolf.

Malaysian Home Minister Datuk Seri Saifuddin Nasution Ismail (right) during a press conference regarding the Ulu Tiram Police Station attack case at the Tunku Laksamana Abdul Jalil Mosque, Johor Police Contingent Headquarters (IPK) on Saturday. PHOTO: BERNAMA

“Based on interrogations of over 40 individuals and checks on the suspect’s house, the man was acting as a lone wolf. Police investigation began immediately after the incident, including checks on police databases for similar incidents. We have interrogated a total of 46 individuals to assist in the investigation. Based on early findings, we believe the perpetrator acted alone, driven by motivations that only he understood as he did not associate with others,” he said in a press conference at the Johor police headquarters on Saturday morning.

The remains of the two police constables were brought out of the Forensic Medical Department of Sultan Ismail Hospital (HSI) upon completion of the post-mortem for the funeral arrangements.

JThe bodies of Constable Ahmad Azza Fahmi Azhar, 22, and Constable Muhamad Syafiq Ahmad Said, 24, were brought to Tunku Laksamana Abdul Jalil Mosque, Johor Police Contingent Headquarters (IPK) Saturday morning, for funeral prayers and last respects. The bodies will then be taken to their respective hometowns in Bidor, Perak and Kuantan, Pahang. PHOTO: BERNAMA

The remains of Ahmad Azza Fahmi Azhar and Muhamad Syafiq Ahmad Said were taken first to the Tunku Laksamana Abdul Jalil Mosque at the Johor police contingent headquarters (IPK) for the funeral prayers and given the last respect.

The bodies will then be sent to Bidor, Perak, and Kuantan, Pahang, respectively to be buried.

Meanwhile,  Ahmad Azza Fahmi’s father,  Azhar Khaiden, 54, when met at the hospital to claim his son’s remains, said his son’s body would be brought back to Kampung Poh, Bidor, for the burial.

“Last night our family slept at his ( Ahmad Azza Fahmi) house,” said Azhar, a teacher at Sekolah Kebangsaan Felda Sungai Kelah, Sungkai, Perak.

Golf world No. 1 Scheffler arrested outside PGA course

Scottie Scheffler arrives for a news conference after the second round of the PGA Championship golf tournament at the Valhalla Golf Club, Friday, in Louisville, Kentucky. PHOTO: AP

LOUISVILLE, Kentucky (AP) — Scottie Scheffler was in handcuffs before dawn in the back of a police car. His warmup routine began in a jail cell. And some six hours later, Scheffler remarkably signed for a 5-under 66 and was right in the mix Friday at the PGA Championship.

Xander Schauffele, fresh off his record start of 62, was not letting up in a bid to beat darkness. He had to settle for pars over his last seven holes for a 68. He was at 12-under 130, one shot ahead of Collin Morikawa, who birdied five in a row down the stretch only to end with a bogey for a 65. Tiger Woods had two triple bogeys and missed the cut.

Those were mere footnotes on a day that was beyond belief.

“I feel like my head is still spinning,” Scheffler said.

The world’s No 1 player and Masters champion was driving to Valhalla about 6am when he ran into traffic, unaware police were investigating a pedestrian — John Mills, who worked for a vendor at the tournament — being struck and killed by a shuttle bus.

Scheffler was arrested for failing to follow police instructions. The arrest report indicated a Louisville Metro police officer was dragged to the ground as Scheffler’s car drove by, causing swelling and abrasions on the officer’s left wrist. Scheffler said it was a “chaotic situation” and he never intended to disregard the police instructions. “A big misunderstanding,” he said.

“I can’t imagine what they’re going through. I feel for them,” he said of the victim’s family. “My situation will get handled.”

Scheffler was handcuffed and arrested for second-degree felony assault and three other charges. The winner of a Masters green jacket posed for a mug shot wearing orange jail garb. He could see from the holding cell video of his arrest on ESPN.

His heart was racing and his body was shaking.

“I did spend some time stretching in a jail cell. That was a first for me,” Scheffler said. “I was just sitting there waiting and I started going through my warmup. I felt like there was a chance I may be able to still come out here and play. I started going through my routine and I tried to get my heart rate down as much as I could today.

“I was fortunate to be able to make it back out and play some golf today.”

Not just any golf. He hit a wedge to 3 feet for birdie on his first hole. He was solid from tee-to-green, made a few putts and had a round that ranked among his best under the circumstances.

“As far as best rounds of my career, I would say it was pretty good,” Scheffler said. “I definitely never imagined ever going to jail, and I definitely never imagined going to jail the morning before one of my tee times for sure.”

He practiced a bit after his round, signed a few autographs and was trying to get back into a routine to prepare for what Scheffler expects to be a grind.

That much was evident by the scores. Valhalla is soft and defenseless, and hardly any wind made it even easier.

Morikawa posted from the morning wave at 11-under 131, and Schauffele had moved past him has he headed to the back nine.

Scheffler was at 133 along with Thomas Detry (67) and Mark Hubbard, who had three bogeys and three birdies over his last seven holds in a round of 68.

Hubbard got some attention early Friday with a post to X that referenced Scheffler’s police report, including a listed weight of 170 pounds.

“Scottie’s bigger than me, there’s no way he’s 170,” Hubbard said after his round. “Like, I got to get in the gym and stop eating so much of my kids’ leftover mac and cheese.”

But then he turned serious, as so many other players did, expressing shock over seeing Scheffler in handcuffs and sadness for Mills, the 69-year-old victim.

“I thought the saddest part was that the whole thing was about Scottie getting arrested and all that — and like I said, I’m glad he’s doing OK and everything — but I mean, someone died this morning, and we were out there on the course. I bet 90% of the people out here don’t even know that happened.

“That’s not Scottie’s fault at all, but that was the real tragedy today.”

Austin Eckroat, who won his first PGA Tour title earlier this year at the Cognizant Classic, got out of his car in traffic and walked the rest of the way. His wife took the car and later returned. He fashioned another 67 and was in the group at 8-under 134.

“I pulled up the local news station trying to figure out what was going on, and the first thing I saw was Scottie had been put in handcuffs,” Eckroat said. “And I was like, ‘What in the world is going on?’ It was a weird morning.”

The only normalcy was the golf. Schauffele is still going strong. Morikawa keeps moving closer to the form that brought him two majors. And Scheffler still looks like the player to beat.

He couldn’t discuss many details of the arrest for legal reasons. In the three hours he spent away from the course, Scheffler had three wardrobe changes — gym clothes, jail garb and golf clothes — took a mug shot and hired an attorney. He got back to Valhalla 56 minutes before his tee time.

And the cheers and support for him were never louder or unusual, especially the chants of “Free Scottie!” and quickly fashioned T-shirts that said the same.

“I’ve kept myself in the tournament now with a pretty chaotic day, so I’m going to go from here and focus on getting some rest and recovery and get ready for a grind the last two days,” Scheffler said.

Scottie Scheffler arrives for a news conference after the second round of the PGA Championship golf tournament at the Valhalla Golf Club, Friday, in Louisville, Kentucky. PHOTO: AP

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Spotify sued over alleged unpaid royalties

For illustration purposes only. PHOTO: UNSPLASH

NEW YORK (AFP) Music streaming giant Spotify has been sued in a US federal court for allegedly underpaying songwriters, composers and publishers by tens of millions of dollars.

The lawsuit against Spotify USA was filed in New York on Thursday by the Mechanical Licensing Collective (MLC), a non-profit that collects and distributes royalties owed from music streaming services.

The suit alleges that Spotify on March 1, without advance notice, reclassified its paid subscription services, resulting in a nearly 50 per cent reduction in royalty payments to MLC.

“The financial consequences of Spotify’s failure to meet its statutory obligations are enormous for Songwriters and Music Publishers,” MLC said.

“If unchecked, the impact on Songwriters and Music Publishers of Spotify’s unlawful underreporting could run into the hundreds of millions of dollars.”

For illustration purposes only. PHOTO: UNSPLASH

According to MLC, Spotify reclassified its Premium Individual, Duo and Family subscription streaming plans as Bundled Subscription Offerings because they now include audiobooks.

Royalties paid on bundled services are significantly less.

MLC said Premium subscribers already had access to audiobooks and “nothing has been bundled with it.”

“Premium is exactly the same service that Spotify offered to its subscribers before the launch of Audiobooks Access,” it said.

In a statement, Spotify said the lawsuit “concerns terms that publishers and streaming services agreed to and celebrated years ago.”

Spotify said it paid a “record amount” in royalties last year and “is on track to pay out an even larger amount in 2024.”

“We look forward to a swift resolution of this matter,” the Swedish company said.

In February, Spotify said it paid USD9 billion to musicians and publishers last year, about half of which went to independent artists.