For the ambivert, navigating the delicate balance between social engagement and solitary retreat is a perpetual dance. Yet, nestled within the cosy confines of their living space, the allure of the couch holds a unique charm, offering a sanctuary that caters to both extroverted and introverted tendencies.
Following an extended stretch of social engagements, courtesy of the Raya festivities, I embarked on a brief but much-needed retreat to my sanctuary, seeking to replenish my social reserves and recharge my batteries in solitude.
Embracing the rare luxury of solitude, I settled onto the couch, eager to immerse myself in a marathon of horror films. With time typically a scarce commodity, this indulgent escape promised a welcome reprieve.
In that fleeting window of time, I successfully devoured 10 horror films – a feat that might strike some as peculiar or amusing, yet left me with a profound sense of accomplishment.
In this article, I’ll be spotlighting my top three picks from the eclectic mix.
THE AUTOPSY OF JANE DOE (2016)
Now, I know this movie came out in 2016, but a colleague of mine put me on it as homework to watch while I was away from work and because it was a horror film, I thought – why not? So, the movie’s a chilling horror film that follows a father-son coroner duo played by Brian Cox as Tommy (the father) and Emile Hirsch as Austin (the son, duh) as they dissect the mysterious body of an unidentified woman. Naturally, the movie kicks off with the police stumbling upon a crime scene: the grisly discovery of a body beneath the residence of a murdered elderly couple – intriguing.
Anyway, back to the father-son duo. As they dove deeper into the autopsy, they uncover unnerving secrets that defy scientific explanation – queue chilling sounds of horror.
I know most English horror movies aren’t that scary to us Southeast Asians, but the twists in this flick is definitely worth watching if you haven’t. The jump-scares really are jump-scares, and I like the fact that they blend suspense and supernatural elements together very well to keep viewers on the edge of their seats. With each forbidden truth they unearth from the woman’s body, disturbing consequences unfurl, casting a sinister shadow over their investigation.
PAMALI (2022)
Next up is an Indonesian horror flick that came out in 2022. Marthino Lio as Jaka Sunarya – a journalist who had recently lost his job and was in an economic slump – and Putri Ayudya – who plays his heavily pregnant wife Rika Retnosari.
They travel back to Raka’s family homestead that he left two decades back to fix it up before selling it off. It’s tucked away in the heart of the village and is in a state of disrepair of course, so they have to stay there for a few nights to fix and clean things up.
Well, guess what? They stumble into some seriously spooky stuff, especially when the sun goes down.
Now, you know about those pregnancy taboos we Southeast Asians are always warned about? This movie dives headfirst into those, with Rika breaking every rule in the book.
And let me tell you, Taskya Namya, who plays Nenden Sunarya (the ghostly apparition), really nails the creep factor, especially with her laughing.
You’ve got to hand it to Indonesian horror movies these days – they’re seriously stepping up their game when it comes to scares and visuals. They’re like a magnet, pulling you in and keeping you hooked from start to finish.
DEATH WHISPERER (2023)
Now it’s time for the horror movie that really takes the cake for me. Of course it’s a Thai supernatural horror film that dominates.
Also known as Tee Yod in Thai, Death Whisperer was adapted from Krittanon’s novel of the same name, and it’s set in the remote Kanchanaburi province of Thailand in 1972.
The film opens with a couple foraging in a forest at what looks like dawn or dusk when they hear screams coming from their home. It’s their daughter. They run to her with the speed of light and she’s screaming and writhing in pain before she dies. The mysterious death of this young girl sends shockwaves through the community, and soon a Thai-Chinese family deeply rooted in the village life finds themselves entangled in the supernatural. With six children – three sons, Yak, Yos, Yod, and three daughters, Yad, Yam, Yee – they were navigating their rural existence until horror strikes.
As the daughters encounter a ghostly woman in black, strange occurrences plague them, from Yam’s mysterious illness to Yad’s unsettling midnight encounters. When faced with this otherworldly threat, former soldier Yak returns home to confront the darkness looming over his family.
A bit of a spoiler, but Peerakit Patcharabunyakiat who plays Yod really did her thing scaring me with her facial expressions when she was possessed.
According to the author, Krittanon is based on a true story that unfolded within his mother’s family when she was just a 15-year-old teenager living in a province in the central region of Thailand.
The majority of the filming for Krittanon took place in Kanchanaburi province, which the film claims to be the actual setting of the events. The eerie tree, haunted by the woman in black dress, is indeed a real tree. However, the art directors’ team enhanced its lower part to give it a more ominous appearance.
Well, that wraps up our top three horror films for now. But before we sign off, let’s talk about one last thing: the knack horror films have for keeping us glued to the screen until the very end.
With their talent for suspense and surprise, they often deliver a jaw-dropping plot twist that leaves us reeling and hungry for more. Watch out for those twists! – Izah Azahari