SHANGHAI (AFP) – Zhou Zhuguang surveys his Shanghai workshop and rows of workers meticulously stitching high-collared Chinese dresses known as qipao, some of which sell for nearly USD5,000.
“It’s a highly skilled craft,” said Zhou, co-founder of Hanart, one of China’s most well-known qipao makers.
“Some of our tailors spend a lifetime learning to make qipao.”
The price tag also reflects enduring demand for the qipao, known as a cheongsam in Hong Kong and overseas Chinese communities.
Drawing on traditional design elements, the dress was popularised in 1920s Shanghai, its form-fitting cut capturing the glamour of that free-wheeling pre-communist era and the desire of Chinese women to liberate themselves from traditionally subservient roles.
The qipao disappeared after the Communist Party – which considered it decadent and bourgeois – took power in 1949.
The dress’s comeback is due in part to producers like Zhou.
A mass-produced qipao, sometimes seen at weddings or other formal occasions, can be bought today for as little as CNY100 (USD16).
But Zhou, 59, has found a market for higher-end designs among well-heeled Chinese fashionistas.
Zhou previously dealt in lower-priced qipao before founding Hanart in 1998 in partnership with legendary qipao designer Chu Hongsheng who fitted Chinese film actresses and the wives and daughters of Shanghai mafia bosses. Chu died in 2017 at the age of 99.
“(Low price) isn’t the true essence of the qipao,” said Zhou, who feels that such an iconic Chinese fashion staple requires more luxurious materials, bolder designs and hand-crafted precision, which inevitably push prices up.
Zhou displayed these at a Shanghai show late last year which featured “modern, altered qipao” designs combining the classic Mandarin collar and body-hugging fit with less traditional elements such as lace, fringes, velvet, sequins and rich embroidery.
“We want more young people to wear qipao,” Zhou said of his design re-boot.
To Yang Zhenzhen, who owns a Shanghai qipao shop and is an online influencer of the dress style, cracking the youth market is essential to keeping the tradition alive.
Her shop targets buyers aged 25-45 with qipao starting at around USD600.
“Young people bring new life and energy” to the qipao, said Yang, 28, who has been smitten with the dress since childhood and began collecting them five years ago.
“If young people don’t wear them, then by the time they grow old there won’t be anyone wearing them,” she said.
Yang admitted that youth acceptance suffers from a stereotype that qipao are for elderly women, or the belief that pop culture uses the dress to objectify Chinese women.
“These are deep misconceptions… so I want to popularise it as best I can and let people know the real meaning of qipao,” she said.
That includes the dress’s role in breaking down gender norms for women during the 1920s. The sense of freedom associated with that will never go out of style, she added.
For Zhou, selling qipao is about perpetuating an element of China’s intangible cultural heritage.
“We are small, but we are carrying on a piece of culture,” he said.
“That’s where our biggest value is.”