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‘Civil War’ continues box-office campaign at No 1

NEW YORK (AP) — “Civil War,” Alex Garland’s ominous American dystopia, remained the top film in theaters in its second week of release, according to studio estimates Sunday.

The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in USD11.1 million in ticket sales at 3,929 theatres over the weekend. The USD50 million film, set in a near-future US in which Texas and California have joined in rebellion against a fascist president, has grossed USD44.9 million in two weeks.

Its provocative premise – and A24’s marketing, which included images of US cities ravaged by war – helped keep “Civil War” top of mind for moviegoers.

But it was a painfully slow weekend in theatres – the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office. Year-to-date ticket sales are down almost 20 per cent compared to last year, according to Comscore.

Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales. It came in second with USD10.2 million in 3,384 theatres.

This image released by A24 shows Kirsten Dunst in a scene from “Civil War”. PHOTO: AP

That was still a fair result for a film that cost a modest USD28 million to make. “Abigail,” which remakes the 1936 monster film “Dracula’s Daughter,” is about a 12-year-old girl taken by kidnappers who soon realise they’ve made a poor choice of hostage. It’s directed by the duo Matt Bettinelli-Olpin and Tyler Gillett whose production company goes by the name Radio Silence.

More concerning was the overall tepid response for a handful of new wide releases – and the likelihood that there will be more similar weekends throughout 2024. Last year’s actors and writers’ strikes, which had a prolonged effect on the movie pipeline, exacerbated holes in Hollywood’s release schedule.

Horror films, in recent years among the most reliable cash cows in theaters, also haven’t thus far been doing the automatic business they previous did. According to David A Gross, who runs the consulting firm Franchise Entertainment Research, horror releases accounted for USD2 billion in worldwide sales in 2023.

Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” debuted with USD9 million in 2,845 theatres. In the based-on-a-true-story Lionsgate release, which reportedly cost USD60 million to produce, Henry Cavill leads a World War II mission off the coast of West Africa.

Though Ritchie has been behind numerous box-office hits, including the live-action “Aladdin” and a pair of Sherlock Holmes films, his recent movies have struggled to find big audiences. The Lionsgate spy comedy “Operation Fortune: Ruse de Guerre” grossed USD48 million against a USD50 million budget, while MGM’s “The Covenant,” also released last year, made USD21 million while costing USD55 million to make.

A bright sign for “The Ministry of Ungentlemanly Warfare”: audiences liked it. The film earned an A-minus CinemaScore.

The anime “Spy x Family Code: White,” from Sony’s Crunchyroll, also struggled to stand out with audiences. Though the adaptation of the Tatsuya Endo manga TV series “Spy x Family” has already been a hit with international moviegoers, it debuted below expectations with USD4.9 million in 2,009 US theatres.

The mightiest film globally, though, continues to be “Godzilla x Kong: The New Empire.” The Warner Bros monster movie has for the past month led worldwide ticket sales. It added another USD9.5 million domestically and USD21.6 million internationally to bring its four-week global total to USD485.2 million.

This image released by Lionsgate shows Alex Pettyfer, Alan Ritchson, Henry Cavill, Hero Fiennes Tiffin, and Henry Golding in a scene from the film “The Ministry of Ungentlemanly Warfare”. PHOTO: AP
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