ANN/THE STAR – Despite being one of the world’s most beloved creatures, the global wild tiger population has dwindled to an estimated 5,000, with fewer than 100 Malayan tigers remaining.
More needs to be done, and time is running out.
In a bid to shed light on this pressing issue, Save Wild Tigers, United Kingdom based global conservation initiative, has brought the ‘Eye On The Tiger’ photography exhibition to Kuala Lumpur. This exhibition, the largest of its kind, showcases the work of 30 leading international photographers, featuring a collection of 60 captivating tiger photographs spanning several decades.
On display at The Starhill and Lot 10 until October 22, this exhibition has previously been shown at the halls of London’s Royal Albert Hall.
The striking images have been contributed by acclaimed photographers from various corners of the globe, including the United States, India, Britain, Germany, Japan, and Russia, along with two celebrated Malaysian photographers, SC Shekar and Sanjitpaal Singh.
The images will be showcased largely in the atrium of The Starhill, with 10 works being exhibited in the Taiwanese bookstore eslite spectrum (located in the same mall).
There will also be a series of informative public forums on tiger conservation and photography at eslite spectrum in the coming weekends.
The proceeds from the sales will go to Save Wild Tigers and its Malaysian conservation partners, The Habitat Foundation and RIMAU. “If no action is taken, wild tigers could be extinct in just 10 years across Asia and potentially less than 10 years in Malaysia,” said founder of Save Wild Tigers Simon Clinton.
“The aim of the ‘Eye On The Tiger’ exhibition is to inspire the public to join us in taking action to save what is surely one of the most beautiful creatures alive today. We do not want this to be the only lasting record that they ever existed on our precious planet,” he added.
BY SHEER LUCK
The photo exhibited by Shekar is a captivating black and white image of an adult tiger sitting in a tree, its reflection shimmering in the water below it.
“It was pure chance. I’m not a wildlife photographer, by any means. In 1987, I was living in an Orang Asli village in Jerantut, Pahang, documenting the Ja Hut people, who are known for being excellent trackers,” said Shekar about the story behind how he caught this photograph.
“One day, they told me there was a tiger eating their dogs. So we decided to try and see if we could photograph the tiger.
“We waited for four nights before the opportunity finally came. I was using film at the time, so it wasn’t easy to set up the shot, but luckily, I managed to get this one,” he added.
Shekar shared that the tiger was about 100 metre (m) to 150m away from him and his companions.
“I felt a chill running up my spine as it made eye contact with me, and in the blink of an eye, it vanished.”
That was the first and last time Shekar encountered a tiger in the wild, and he hopes that his photo, as well as the others in the exhibition, will inspire Malaysians to further support local tiger conservation efforts.
A SYMBOL OF HOPE
As a seasoned wildlife and nature photographer, Sanjitpaal insisted on keeping mum on the stories behind his tiger images.
“A magician can’t share their secrets,” he said with a smile.
He does share that his photos are part of a series called Coming Into The Light.
“Having chased elusive moments across Malaysia, it’s a surreal joy to witness my works showcase in an international exhibition now gracing the soil of my home country.
“I aspire these images to be a symbol of hope, as you can see the tiger emerging from the darkness.
“Through these images, I hope to share the untamed essence of our wildlife and inspire us all to protect the precious ecosystems they call home,” said Sanjitpaal.
TELLING A STORY THROUGH PHOTOS
Malaysian artist-turned-curator Ivan Gabriel said he was approached by Save Wild Tigers last year to curate ‘Eye On The Tiger’ thanks to his prior experience with Belang, an art exhibition in Penang in 2020 that raised awareness about the importance of protecting the Malayan tiger.
“Being Malaysian, I have insight on which photos would work best in Malaysia. For example, I know that Malaysians love cute things and value familial bonds.
“Those were some of the things I considered when choosing which photos would be featured in the exhibition,” said Gabriel.
He added that the photos were arranged in such a way that they tell a larger story.
“What drives my curatorial practice is the art of storytelling. I think about how artworks speak, and I like when the pieces in an exhibition have a dialogue with each other rather than just presenting them in a straightforward manner,” he explained.
The final two photos at the end of the story told by the exhibition are by Russian photographer Vladimir Medvedev – the second to last photo shows a Siberian tiger walking through snow, while the final photo merely depicts a tiger’s paw prints in the snow, heading towards an unknown future.
Gabriel said it’s meant to be thought-provoking. – Hanis Maketab
