Trends that defined the graphic scene

Michael Cavna

THE WASHINGTON POST – Comic shops were shuttered by the hundreds. Cartoonists cancelled long-planned bookstore tours, and the grand gatherings from San Diego Comic-Con on down became virtual versions of themselves. Given such obstacles, 2020 was the year that the comics industry could have taken cover, merely trying to survive.

Yet graphic novelists and other comics storytellers adapted and rose to ongoing challenges. Authors hunkering down at home became Zoom ‘toonists, sometimes drawing remotely for fans, sometimes reading their works to school-age audiences in quarantine. And by the fall, North American graphic novel sales were up more than 40 per cent – boosted significantly by manga and the Dog Man publishing empire of Dav Pilkey.

Here were four of the main comics trends that helped define 2020, along with the books that propelled the industry to new heights:


Amid the year’s reckoning over race in America, graphic novels continued to give voice to once-underrepresented stories, and creators of color drew critical acclaim.

Shortly before George Floyd’s death sparked international protests, Gene Luen Yang and artist Gurihiru released the graphic novel Superman Smashes the Klan. Inspired by a 40s radio serial, the masterful comic centres on two Chinese American teenagers who must help the Man of Steel battle the KKK’s racial violence shortly after World War II.

Other heralded culturally diverse stories included Almost American Girl, Robin Ha’s illustrated memoir about suddenly relocating from South Korea to Alabama as a teenager; When Stars Are Scattered, in which Victoria Jamieson helps tell Omar Mohamed’s true story of growing up in a Somali refugee camp; and Long Way Down, as Jason Reynolds’ free-verse story got a graphic-novel adaptation with artist Danica Novgorodoff. Plus, Class Act, Jerry Craft’s latest book about middle-school life, arrived months after his New Kid won the Newbery Medal.


As lockdown meant shutting down most of our cultural attractions and distractions, graphic novels stepped up with vicarious thrills.

As in-person comics conventions from coast to coast toppled like dominos, creators and fans were missing these bonding pilgrimages. And one of the best recollections of this life was Adrian Tomine’s The Loneliness of the Long-Distance Cartoonist – released during the summer’s virtual Comic-Con – in which the acclaimed author offers sharply felt insights into how he experiences this specific culture.

Or if you were missing sports, you could score a copy of Yang’s Dragon Hoops, a study of a real-life Bay Area high-school basketball team that learns about itself during a championship season; or Sloane Leong’s A Map to the Sun, a coming-of-age hoops tale.

And while much live music went by the wayside in 2020, comics offered such nostalgic stories as Bowie: Stardust, Rayguns & Moonage Dreams, centring on the rocker’s Ziggy Stardust persona; and Chasin’ the Bird: Charlie Parker in California, as Dave Chisholm and Peter Markowski revisit the jazz saxophonist’s stint in Los Angeles in the mid-’40s.


Comics collections that lampooned President Trump were plentiful, including Garry Trudeau’s Doonesbury book Lewser!, Tom Tomorrow’s This Modern World release Life in the Stupidverse and Ruben Bolling’s Tom the Dancing Bug compendium Into the Trumpverse.

Yet broader and more historical takes on politics were also abundant, including R Sikoryak’s Constitution Illustrated; Drawing the Vote, a guide to voting rights from Tommy Jenkins and Kati Lacker; and from World Citizen Comics the timely Fault Lines in the Constitution: The Graphic Novel, which smartly spotlights the living document’s relevance to presidential impeachment, a peaceful transition of White House power and other modern concerns.

The most powerful of them all was Kent State: Four Dead in Ohio, a deep journalistic dive into the still-resonant 70s tragedy by Ohio native Derf Backderf (My Friend Dahmer).


As young readers attended school from home, they could take breaks with deft new illustrated literature, much of it almost nostalgically set in schools. The year’s best Young Adult books included Terri Libenson’s Becoming Brianna, Lisa Brown’s The Phantom Twin and Maria Scrivan’s Nat Enough.

Then there were Pilkey (Dog Man and Cat Kid books) and Jeff Kinney (Diary of a Wimpy Kid: The Deep End), who helped power the kids’ market with relentlessly strong sales – a trend that shows no sign of flagging in 2021.