ANN/CHINA DAILY – Decorative tradition similar to cloisonne and little known for 300 years is now undergoing a quiet revival.
When Qiao Lin was admitted to the State University of New York in Binghamton to study actuarial science in 2011, she never imagined that a few years later she would become an inheritor of the family tradition of making fahua ware, helping fellow villagers pursue prosperity.
Fahua is regarded as the porcelain version of cloisonne, with design elements separated by copper wires. Pieces feature bold, deep blue decorations and glazes in turquoise, purple, green, yellow and white.
Born in Yangcheng county, Shanxi province, 30-year-old Qiao comes from a family with a long history of making porcelain.
“My grandfather was the director of a State-owned porcelain factory, and in 1999 he founded his own porcelain manufacturing business,” she said. “Then in 2006, he began to research ways to revive fahua-making, a traditional skill only known to a few people for almost 300 years.”
After repeated trial and error, the elder Qiao was able to learn the skill, and the factory began to make fahua ware.
“I had shown an interest in painting when I was a child, but I thought making fahua was boring,” she said, explaining why she didn’t join the family business. “In high school, I always got good marks in mathematics, so I chose to major in actuarial science at university.”
However, the day before she graduated in 2015, Qiao got a call from her mother telling her that the family factory was in financial difficulty as a result of producing too many unmarketable products.
“My mother was in poor health at the time,” she said. “Most of the workers at the factory were from nearby villages. If we closed it, they would lose their livelihoods, so I had to take on responsibility for my parents and the villagers.”
Though she already had a place to continue her postgraduate studies, Qiao decided to return home.
Once back in Shanxi, she poured all her energy into promoting the business. “There were nearly 30 porcelain factories in Yangcheng before 2015, but most of them had closed,” she said.
“It was really hard for me to keep going at the beginning when we hadn’t sold anything for months.”
After looking into the situation, Qiao discovered that the problem was market saturation and the old-fashioned design of the fahua pieces.
She tried out new ideas and adjusted the colors and patterns, adding more fashionable elements.
Gradually, her pieces began to catch the eyes of buyers across the country. Today, the factory employs about 100 workers involved in making fahua.
“We have divided the production process into parts, with each worker responsible for one part,” she said. “It is easier for them, and also helps create a uniform standard. An experienced worker can earn around CNY6,000 (USD891) per month, and those who are less skilled can earn at least CNY3,000.”
Qiao began to learn what she could from her father. She still keeps some of her unsuccessful pieces in her office.
“At first, it wasn’t easy for me to master a tradition that involved so many complex processes,” she said. “I can’t remember how many times I failed before I finally mastered the 10 skills I needed to make fahua.”
Recently, Qiao has developed a series of items designed for daily use, such as decorative lighting and tea sets. “It is important for us to learn traditional skills properly,” she said.
“But on the other hand, we should also think about how to innovate and develop tradition by adding more modern elements, which makes it more attractive.”
In 2020, Qiao set up the Fahua Exhibition and Experience Center, an intangible cultural heritage teaching center that integrates studies, promotional work, exhibitions and cultural exchanges.
In the past two years, it has received some 2,000 visitors, including school students and fahua enthusiasts. In April, she organised an online lecture on fahua inheritance and innovation for students from the College of Fine Art at Shanxi Normal University.
“After the lecture, I received lots of messages asking me questions about fahua,” she said.
“I was very happy, and took it as encouragement to develop more items that better represent traditional art and culture.”