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    Home and away

    BERLIN (AP) – When Eden Cami closes her eyes and starts singing ancient tunes in Arabic and Hebrew, Israeli bassist Or Rozenfeld plays the contrabass, and Syrian band member Wassim Mukdad creates sparkling sounds on his 12-string oud, they take their audience on a musical journey through the Middle East.

    Yet the three musicians live far from there – in Germany. Back in their native region, they likely would be unable to perform together due to long-standing hostilities between their governments and societies.

    “It took us 3,500 kilometres to be able to meet, although it’s like a two-hour drive by car,” said Mukdad, 37, referring to the theoretical driving distance between their homes in neighbouring Syria and Israel – because in reality people cannot legally cross from Syria into Israel or vice versa.

    “The borders in the Middle East separate people,” Mukdad added.

    Mukdad came to Berlin in 2016, a refugee who said he was tortured during Syria’s civil war.

    Cami, 35, who is Arabic and from the Druze minority in northern Israel, came to the German capital seeking freedom and tranquility.

    Rozenfeld, the grandson of Holocaust survivors, came in search of an affordable, cosmopolitan city where he didn’t have to take on a second job to make a living as a musician. The drummer who joined the group more recently Borys Slowikowski is an immigrant from Poland.

    Wassim Mukdag, Borys Slowikowski, Eden Cami and Or Rozenfeld of Kayan Project. PHOTOS: AP
    Or plays his contrabass during a soundcheck

    Cami initiated their band, the Kayan Project, in 2017.

    Kayan, the Arabic word for existence, is also the theme of their music and togetherness. In creating and playing songs, they continually learn how much they have in common and how close the roots of their cultures and languages are despite the hatred they grew up with.

    “As musicians we are very similar,” said Rozenfeld, 32. “I wouldn’t even call us a mixed band because ‘mixed’ is only a concept if you put ethnicity first – but we put our music first.”

    Cami, who grew up speaking Arabic and Hebrew, said it was natural for her to use both languages for her songs.

    “I definitely dream in them and sing in them and think in them and feel in them,” she told the Associated Press earlier this week in Berlin, where the band was performing aboard a docked boat on the Havel river.

    “I find it a very interesting way to live an identity that is complex, that is not just one thing,” she added. “And I feel very happy to express it in art.”

    Back in the Middle East, Syrians are still fighting a civil war and relations among the neighbouring countries are overshadowed by past wars. In Berlin, the artists can celebrate what unites them instead of bemoaning their divisions.

    “The idea is that we can make culture together, although we don’t share 100 per cent of the political views, of the backgrounds,” said Mukdad. “We can start communicating with each other. We can start a dialogue.”

    On Sunday night, Cami, wearing a dark-green dress and grey stiletto boots, opened the show with a song in Hebrew called Ahavat Neurai, or First love, followed by an Arabic song called Ghesh, or Cheat.

    Many of the songs the band played were well-known Israeli or Arabic tunes; some they wrote themselves.

    “Language, literature, religion, culture, music, food, climate, geography – we bring those memories and images with us,” said Mukdad. “And then to put it into music, it will be like a garden full of flowers from a lot of colours.”

    Dancing for No One, which was written by Rozenfeld, is the title track of their first album. It was released in April. The lyrics – the only song in English – are both melancholic and hopeful.

    “Walking to a place I long to be, I hear the river flow to the sea, I feel the waves come back to me… My thoughts are clear, heartbeats are slow. Stones mark a path to the unknown,” Cami sang as Mukdad hid his face behind black curly hair playing the oud. Rozenfeld, whose bald-shaved head was covered with a flat cap, moved to the rhythm while playing the contrabass.

    “They’re fantastic musicians,” Swedish musician living in Berlin Jonas Berndt said, who’d come to see the band.

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