Wayne does good job building suspense in ‘Apartment’

Ann Levin

AP – Teddy Wayne has written another campus novel.

Coming on the heels of his well-received Loner (2016), Apartment also serves as something of a parable for red state/blue state America. While the earlier book was set at Harvard, his latest takes place a couple hundred miles down the road in the MFA programme of Columbia’s School of the Arts.

The time is the mid-1990s — at or near the start of campus identity politics — when not every bodega in New York gave way to a shiny bank and the dominant mode of technology was the floppy disk. The two main characters, both young white men and children of divorce, meet at the beginning of the semester in a writing workshop.

Billy, a working-class guy from a small Midwestern town, had to work to afford his elite education, even with a full scholarship. Not only that, but he went to community college. The unnamed narrator, who hails from a wealthy Boston suburb, graduated from private, pricey New York University. Compounding his unearned privilege, he’s been illegally subletting his great-aunt’s rent-stabilised apartment while his emotionally unavailable father pays the bills.

One day, after Billy comes to his defence in class, the narrator, ostensibly just wanting to be a nice guy, invited him to move into his second bedroom rent-free. When Billy, who was so broke he had to sleep in the basement where he worked, reluctantly accepted, all the necessary plot points are in place for calamity — of the writerly type — to ensue.

Wayne does a good job of building suspense and complicating predictable narratives. Will Billy, who seemed affable enough at first, lauded by both his teachers and fellow students as a naturally gifted writer, turn out to be a con man or a cad? Is the narrator, who longs for a close friend and “the Hemingway-Fitzgerald complementary pairing I’d always thought necessary to one’s artistic development,” secretly desirous of something more carnal?

Neither man fits his stereotype entirely. Billy made culturally insensitive remarks, but he was the one who cooked, cleaned and sewed. The narrator agonised over almost everything, yet was less attentive to his mother than Billy over Thanksgiving weekend.

While most of the novel unfolds over a single academic year, the last few pages jump ahead in time to the 2016 election. By ending with Donald Trump’s victory speech invoking “the forgotten men and women of this country,” Wayne suggests that the apartment, with its warring roommates, is a stand-in for the country.